Showing posts with label Megan O'Russell. Show all posts
Showing posts with label Megan O'Russell. Show all posts

Tuesday, December 13, 2016

SPOTLIGHT w/Author Interview - Girl of Glass by Megan O'Russell

Girl of Glass
by Megan O'Russell
Date Publishing: December 6th 2016
Published by: Fiery Seas Publishing
Genre: Young Adult
Two worlds...one glass wall...no turning back.

BLURB
The human race has been divided. The chosen few live in the safety of the domes, watching through their glass walls as those left on the outside suffer and die. But desperation has brought invention, and new drugs have given the outsiders the strength to roam the poisoned night unafraid – but it comes at a price.
Seventeen-year-old Nola Kent has spent her life in the domes, being trained to protect her little piece of the world that has been chosen to survive. The mission of the domes is to preserve the human race, not to help the sick and starving. But when outsider Kieran Wynne begs for Nola’s help in saving an innocent life, she is drawn into a world of darkness and danger. The suffering on the other side of the glass is beyond anything Nola had imagined, and turning her back on the outside world to return to the safety of the domes may be more than she can stand. Even when her home is threatened by the very people Nola wants to help.


MY INTERVIEW WITH MEGAN O’RUSSELL
How would you describe youR style of writing to someone that has never read your work?
I’m not sure if this is going to sound wrong, but conversational.  By that I don’t mean that multisyllabic words aren’t allowed. I mean that everything, even action sequences and descriptors, is meant to sound like a person is speaking. I read every manuscript I write out loud multiple times to make sure that the words all flow together in a way that sounds natural.

What mindset or routine do you feel the need to set when preparing to write (in general whether you are working on a project or just free writing)?
I don’t really have a set routine. I’m a stage actor by trade, and I move across the country for shows at least a few times a year, and in cast housing I have new roommates all the time. Ideally, I want to wake up in the morning, find a nice quiet place and spend two hours writing. In reality, quiet is a rarity, solitude never happens, and the only writing constant I have is my wonderful husband bringing coffee. I’ve written on tour busses, fancy patios, and backstage at shows. It’s a crazy life, and I take what time I can get!

Do you take your character prep to heart? Do you nurture the growth of each character all the way through to the page? Do you people watch to help with development? Or do you build upon your character during story creation?
I do take character prep to heart. I want to know what their goals are, where their hearts lies, and what they would be most terrified to lose. From there I let them grow as the story progresses. But those three things always stay with them, unless something deliberately massive changes.

Have you found yourself bonding with any particular character? If so which one(s)?
I love Nola Kent. I love her meekness and her strength. I know it sounds contradictory, but it’s what I admire about her. She is a quiet person, not one to seem the type for extraordinary bravery. But if people she cares about need her, she’ll do everything possible to protect them. From her aptitude in STEM fields to her claustrophobia, I’ve really enjoyed my time with Nola.

Do you have a character that you have been working on that you can't wait to put to paper?
Always! Right now I’m working on the start of a new series, and there is a terrifying character I can’t wait to work on!

Have you ever felt that there was something inside of you that you couldn't control? If so what? If no what spurs you to reach for the unexperienced?

I think most writers probably feel like that. If the story isn’t burning to come out, is there really a need to write it? For me it’s usually a scene I really want to put down. It’s a snappy line of dialogue or the perfect moment for a first kiss. And if you think of the grand scale of the world, the amount that each of us has experienced is really relatively small. You’re going to have to write about things you’ve never done; that’s what research, interviews, and imagination are for.

Author Info
Megan O’Russell is the author of the young adult fantasy series The Tethering, and Nuttycracker Sweet, a Christmas novella. Megan’s short stories can also be found in several anthologies, including Athena’s Daughters 2, featuring women in speculative fiction.

Megan is a professional performer who has spent time on stages across the country and is the lyrist for Second Chances: The Thrift Shop Musical, which received it’s world premiere in 2015. When not on stage or behind a computer, Megan can usually be found playing her ukulele or climbing a mountain with her fantastic husband.
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Tuesday, November 29, 2016

Bewitching Holiday Extravaganza - Nuttycracker Sweet by Megan O’Russell

Nuttycracker Sweet
by Megan O’Russell
Date of Publication: December 8th 2015
Publisher: Fiery Seas Publishing
Cover Artist: Jess Small
Genre: Sweet Romance
BLURB
Pointe shoes, tutus, and a snowy road trip with the man she hates. What could possibly go wrong?

The plan was simple. Get to Portland, dance The Nutcracker, and don’t murder your dance partner. And most definitely, do not, under any circumstances, fall in love with him.

A snowy road trip strands Elle Grant in a tiny cabin better suited for serial killings than rehearsals for two professional ballet dancers. With no one but the incredibly talented, excruciatingly handsome, and notoriously terrible Zachary Benson and a few taxidermy woodland creatures for company, Elle’s Christmas plans are officially ruined. Can she and Zach learn to like each other enough to dance together? And can Elle get home without losing her heart to the Christmas Cavalier?
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Amazon    B & N    Kobo    iTunes

I’ve been an elf, a tap dancing reindeer, a teddy bear, a showgirl, the Virgin Mary, and Mrs. Cratchit. All for the joy of Christmas onstage.
I’ve spent my entire life onstage. Not like every moment of every day, but it’s how I spent all my free time as a child and how I’ve made my living as an adult. The stage is my home, the lights are my sunshine, and the cast is my family, even if only for the run of the show.
Life under the stage lights is glamorous but hard. And it gets hardest around the holidays.
Just like retail workers and plenty of other professions, the holiday season is crunch time for performers. I’ve performed on Thanksgiving for I don’t remember how many years, and on Christmas Day for five out of the past nine years, and always far away from home. Don’t get me wrong. I love it. I spend my Christmas Day performing for either people who have nowhere else to go or who have theatre for Christmas ingrained in their holiday traditions. (Thanks for keeping me employed, theatregoers!)
But when you go to the Nutcracker and see a performer from New York City that is there to lead the local ballet company, that means that performer packed up her life, braved the elements, and is trusting in the world that the show will turn out well. That her dance partner won’t be a terrible human, and that when it’s all over the paycheck will clear. It’s a life of tiny Christmas trees in hotel rooms, hoping you get to see your family before New Year’s, and finding someone nearby to make your Christmas merry and bright. No one wants to be alone for the holidays, even those of us who live our lives with dance shoes and glitter.
And that is where the holiday showmance comes into the picture.
In case you’ve never heard the term “showmance,” it’s a romance that happens during the run of a show. You’re away from home, living and working with the same people, in a profession where you are meant to touch your co-workers, and emotions are bared under the spotlights. It happens all the time. Two people come into a show, play love interests, get close in cast housing, and fall madly in love.
Sometimes they end up married. Sometime there’s drinking and sobbing when they break up on closing night. Sometimes the rest of the cast takes bets to see which way a showmance will go.
But add in the romance of the holidays—fireplaces, snow, and warm fuzzy feelings—toss in a dash of the normal human desire to be with those you care for the most for Christmas, and you just might have the makings of a Christmas romance. Or devastating heartbreak.
From tap dancing soldiers to beautiful Christmas ballerinas, whomever you watch on stage this Christmas just remember they are far from home for the holidays so they can bring joy to their audiences. But don’t worry. It is, in fact, a glamourous life, and while the stage lights bring warmth and beauty to the show, they can also bring a little holiday romance along with them.
Author Info
Megan O’Russell is the author of the young adult fantasy series The Tethering, and Nuttycracker Sweet, a Christmas novella. Megan’s short stories can also be found in several anthologies, including Athena’s Daughters 2, featuring women in speculative fiction. Megan is a professional performer who has spent time on stages across the country and is the lyrist for Second Chances: The Thrift Shop Musical, which received it’s world premier in 2015. When not on stage or behind a computer, Megan can usually be found playing her ukulele or climbing a mountain with her fantastic husband.
Author Links:
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